Jun 18, 2015. Adobe® Bridge CS3 is a powerful, easy-to-use media manager for visual people, letting you easily organize, browse, locate, and view creative assets. Available in all six editions of Adobe Creative Suite® 3 software and all professional Adobe. Feb 01, 2016. Adobe is changing the world through digital experiences. We help our customers create, deliver and optimize content and applications. Adobe Encore software is a versatile, interactive authoring tool you can use to deliver projects for DVD, Blu-ray Disc, or web DVD. Mac = Mac download version. It works on 32-bit and 64-bit Mac OS. Mac64 = Mac OS download version. It works only on 64-bit Mac OS.

Welcome to Adobe Encore. This document contains late-breaking product information, updates, and troubleshooting tips not covered in the Encore CS3 documentation.

Windows

Adobe Encore Cs3 Mac Download Windows 10

Intel Pentium 4, Intel Centrino, Intel Xeon, Intel Core Duo (or compatible) processor
Microsoft Windows XP with Service Pack 2, Windows Vista Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit editions only)
1GB of RAM minimum
2.0GB of available hard-disk space (5G free space required during installation)
1,280x1024 minimum monitor resolution with 32-bit or color adapter
DVD-ROM drive required for installation. DVD Burner or Blu-ray burner required for creating discs.
QuickTime 7 software required for multimedia features
Internet or phone connection required for product activation
Broadband Internet connection required for Adobe Stock Photos* and other services
Microsoft DirectX-compatible sound card ( multichannel ASIO compatible sound card for surround sound)

Mac OS

Intel-based Apple Macintosh, desktop, iMac or MacBook Pro
Mac OS X v.10.4.9
1GB RAM
2.5GB of available hard-disk space (5GB free space required during installation )
1,280x960 video display with 32-bit color adapter
Superdrive for installation and DVD burning. Blu-ray required for creating Blu-ray discs.
QuickTime 7.1.2 software required for multimedia features
Internet or phone connection required for product activation
Broadband Internet connection required for Adobe Stock Photos* and other services

* Online services, including, but not limited to, Adobe Stock Photos and Adobe Connect, may not be available in all countries, languages, and currencies. Availability of services is subject to change. Autotune 8 mac free download. Use of online services is governed by terms and conditions of a separate agreement and may be subject to additional fees. For details, visit www.adobe.com.

Before you install, close all applications currently running on your system;including other Adobe applications, Microsoft Office applications, and browser windows.

Do one of the following:

Windows:
Insert the DVD in your drive, and follow the on-screen instructions. If the installer does not launch automatically, navigate to the Adobe CS3 folder found at the root level on your disk and double-click Setup.exe to start the installation process.
If you downloaded the software from the web, open the folder, navigate to the Adobe CS3 folder, double-click Setup.exe, and then follow the on-screen instructions.
Mac:
Insert the DVD in your drive, and follow the on-screen instructions. If the installer does not launch automatically, navigate to the application folder found at the root level on your disk and double-click Setup Mac OS) to start the installation process.
If you downloaded the software from the web, open the folder, navigate to the application folder, double-click Setup, and then follow the on-screen instructions.

Note: In order to install additional components or reinstall your software after your original installation, you will need access to the original installer (CD, DVD or the download from the web). Before you begin additional installations or reinstallations, please make sure the installer is in the same drive or location it was during the original installation.

Before you uninstall, close all applications currently running on your system;including other Adobe applications, Microsoft Office applications, and browser windows.

Do one of the following:

In Windows XP, open the Windows Control Panel and double-click Add or Remove Programs. Select the product that you want to uninstall, click Change/Remove, and then follow the on-screen instructions.
In Windows Vista, open the Windows Control Panel and double-click Programs and Features. Select the product that you want to uninstall, click Uninstall/Change, and then follow the on-screen instructions.
IMPORTANT: Mac OS has new uninstall functionality. DO NOT drag applications to the trash to uninstall them. To safely uninstall on Mac OS X, double-click the product installer in Applications/Utilities/Adobe Installers. Authenticate as an administrator, then select Remove Components and follow the on-screen instructions.

Adobe software may include electronic license (e-license) management technology to ensure compliance with the Product License Agreement. When present, this technology prompts you to verify the license of your product within 30 days after you start it for the first time. If prompted, verification is mandatory.
The on-screen prompt may ask you to activate the software. This verification process does not collect, transmit, or use any personally identifiable information. To learn more, visit the Adobe web site at www.adobe.com/activation.
Activate software:

If the Activation dialog box is not already open, choose Help > Activate.

Follow the on-screen instructions.
Note: If you want to install the product on a different computer, you must first deactivate the software on your computer. To deactivate, choose Help > Deactivate.

When you install your software, be sure to register to get up-to-date product information, training, newsletters, and invitations to Adobe events and seminars. You will also receive a complimentary benefit such as the Hypatia Sans font and great discounts on training.

Please refer to the Adobe Support site at www.adobe.com/support/ for additional late-breaking information and known issues for all Creative Suite 3 applications.

Motion menu in a Blu-ray project with loop point pauses at the loop point, losing several frames playback (1542976 )
Motion menu loops forever on DVD player when loop number = forever is not set (1542965)
Encore cannot write multiple timelines or long duration files to a disk when using a Pioneer Blu-ray Burner Model BDR101A (1534896)
Chapter play list are not supported by Encore on Blu-ray discs. (1542704)
DLT drive (Quantum 8000) is not recognized in Vista - None found is displayed for Recorder (1525301)
H.264 / .m4v files playback very slowly in Encore CS3. Framerates average around 1-2 fps. You may also notice smearing and break up of the images (1522531)
Transcoding an asset in Encore and then moving or deleting the original asset causes it to register as offline when you reopen the project (1521557)
External video out is not supported on the Mac (1519578)
Mac: Encore fails to launch when Master Collection suite is installed on system with the combination of the following security settings ON: 'File Vault' and 'Use secure virtual memory' (1517853)
Encore is unresponsive after dragging HDV MPEG-2 files into project window (1513788)
When outputting to Flash, motion menu encodings in are not stored, and therefore get re-rendered when the project is closed and then reopened (1511355)
When outputting to Flash, timeline, slideshow, and chapter playlist encodings are not stored, and therefore get re-rendered when the project is closed and then reopened (1511354)
Using the Japanese version on the Mac you should be aware that Window > Timeline shortcut ctrl+F3 is used by Mac OS. To disable it in Mac OS, Open System Preferences > Keyboard shortcut and turn off crtl+F3 (1509529)
Certain images do not get their orientation correctly interpreted on Windows when imported. (1505100)
Samsung BD-P1000 player does not playback Encore H264 encoded Blu-ray projects correctly (1504102)
Encore crashes on launch when Master Collection suite is installed on custom location having special char such as '!@#$%^&()_+=-}{[' (1503857)
Selecting type as 'Blu-ray disc single layer MPEG-2 or H.264' for 'Author with menus' option in Premiere Pro Export to Encore dialog creates an encore project with DVD authoring mode instead of Blu-ray authoring mode (1499065)
When opening an Flash menu in Internet Explorer 6 or 7, you have to click in the SWF in order to have it respond to any user input, including rolling over buttons. This is a security feature in IE 6 and 7. (1494939)
If you experience problems with Firewire Preview of menus on external monitor, try connecting and powering up the camera before launching Encore (1493950)
When outputting to Flash, a plus ('+') character in the name field causes any FLVs in the SWF to play back without video (1491264)
Motion menus which are rendered while in Blu-ray authoring context are in standard definition video. This rendering is for Encore preview purposes only. When you build to Blu-ray, the source video will always be used, meaning high definition motion menus will be written to Blu-ray as high definition. (1489659)
Pasting into a timeline is not supported (1478024)
Keys F9 through F12 don't work by default on Mac, they are automatically used by the OS. To disable them in Mac OS, Open System Preferences > Keyboard shortcut and turn off the function key (1470820)
On Mac OS, whenever BD-R/RE media inserted into a BD drive a Disk Insertion Alert dialog is displayed with the message The disk you inserted was not readable by this computer. The dialog has Ignore and Eject buttons. In order to use the media in Encore you have to dismiss the dialog via the Ignore button (1465734)
Specifying a manual layer break for a Blu-ray disc is not supported (1461245)
If there are two disc drives on system, application will try to burn to only first disc drive (e.g. DVD ROM is on Drive E and DVD Burner is on Drive F then it will try to burn through E i.e. DVD ROM) (1458638)
Mac: Photoshop files must have the .psd extension in order to be imported into Encore (1446338)
Mac: Burner not found when Apple DVD Player is open and a DVD+RW is in the drive. To workaround this, quit Apple DVD Player, and close, then reopen the Build panel (1407006)
Blu-ray region are not supported at this time in Encore (1406097)
New compositions created from Encore Blu-ray projects are being created at DV settings in After Effects. Either create the composition in After Effects or change the settings within AE (1392325)
Opening Encore projects created in 1.0 in Encore 3.0 is not supported (1384589)
Slideshows with transitions have very poor playback quality when viewed on progressive OR interlaced DVD players (1256626)

Customer Service
Adobe Customer Service provides assistance with product information, sales, registration, and other non-technical issues. To find out how to contact Adobe Customer Service, please visit Adobe.com for your region or country and click on Contact.

Support Plan Options and Technical Resources
If you require technical assistance for your product, including information on free and paid support options and troubleshooting resources, more information is available at www.adobe.com/go/support/. Outside of North America, go to www.adobe.com/go/intlsupport/. Free troubleshooting resources include the Adobe support knowledgebase, Adobe user-to-user forums and more.

If you are having any issues with installing or uninstalling any of your Creative Suite 3 applications, please try rebooting your system prior to contacting Support.

Visit the Encore website for the latest product information at www.adobe.com/products/premiere/encore.

Documentation
Order printed documentation at www.adobe.com/go/buy_books.
Online Resources
Creative Experience
Adobe Design Center
User Forums
Training
Adobe Certification Program

If you remember Adobe ( ), the first thing that will strike you about Premiere Pro CS3 is that it’s an entirely different animal. Although Premiere had been around since the advent of QuickTime, the video-editing program was due for a major overhaul by 2002. Menu incomplet (encore : steam for mac.

Adobe is changing the world through digital experiences. We help our customers create, deliver and optimize content and applications.

To produce Premiere’s successor, Adobe abandoned its cross-platform strategy and focused on developing only for Intel chips. The result was Premiere Pro—vastly improved but Windows-only. Now that Macs run on Intel processors, Adobe is eager to reintroduce its flagship video-editing software to the Mac operating system. Premiere Pro CS3 has none of Premiere 6.5’s fundamental flaws. It has an efficient interface, employs a more elegant paradigm for transitions, supports multiple and nested sequences, and takes a unified approach to effects. Notable new features include multiple-camera editing, audio mixing with surround-sound support, and the ability to encode for Blu-ray discs. Premiere Pro CS3 has all the core features required for professional video editing; at the same time, little sets it apart from its competitors.

Until it finds a way to more clearly distinguish itself, Premiere Pro’s appeal will lie primarily in its relationship to the other programs in the CS3 Production Premium suite. Family ties Generally speaking, video editors don’t wed a workflow to an individual editing program; they choose a family of software products. Apple devotees, for example, don’t have a choice: the company’s video-editing software is available only as part of Final Cut Studio 2. The cross-platform video editor Avid ( ) offers a clear upgrade path to the rest of Avid’s product line, which has long dominated high-end postproduction. And it’s compatible with Digidesign’s popular Pro Tools audio editor (not surprisingly, since Digidesign is an Avid subsidiary).

But it’s much more expensive than Adobe’s video suite. CS3 Production Premium is a bit pricier than Apple’s Final Cut Studio ($1,299)—but along with Mac newcomers Premiere Pro, Encore, and Soundbooth ( ), it includes the venerable ( ), ( ), After Effects Professional ( ), ( ). (Only the Windows version of the CS3 suite includes Ultra, Adobe’s new keying software.) The stand-alone Premiere Pro ships with Encore, for DVD authoring, and OnLocation, software that turns your laptop computer into a field monitor and direct-to-disc capture device. Unfortunately, OnLocation isn’t Mac-compatible; it runs only via Boot Camp. This isn’t very surprising; Adobe only recently acquired the company Serious Magic and its Windows-only application DV Rack, on which OnLocation is based. And, only the Windows version of the CS3 suite includes Ultra, Adobe’s new keying software, also from Serious Magic.

Until Adobe makes the Mac and Windows packages equal, Mac users may rightly feel neglected. Otherwise, compatibility with the rest of the CS3 family is one of Premiere Pro’s strong suits. Like the Adobe CS3 design and Web applications, it utilizes Bridge as the command center for browsing and managing assets and communicating between applications. Premiere Pro has commands for launching Photoshop and for exporting to Encore and Soundbooth. One of the most dramatic examples of the benefits of integration is the Dynamic Link feature, which is used to tie Premiere Pro to After Effects. For instance, a comp of a motion graphic you’ve created in After Effects can appear as a dynamically linked clip in Premiere Pro.

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If you modify the graphic in After Effects, the changes appear in Premiere Pro. Without Dynamic Link, you’d have to export the motion graphic and then import it into Premiere Pro every time you made a change. Interface Although you may recognize a few editing tools from Premiere 6.5, Premiere Pro CS3’s interface bears little resemblance to that of its ancestor. Like other CS3 programs, Premiere Pro has dispensed with traditional windows and palettes in favor of tabbed panels docked in a system of interdependent panes that use screen space much more efficiently. But in some instances, Premiere Pro departs from tabbed panels. For example, Premiere Pro’s floating Capture panel is not integrated into a workspace.

And although the Capture panel’s Logging and Settings tabs look similar to the tabs in other panels, their positions are fixed; you can’t manipulate them as you can the rest of the tabbed interface. Because floating panels perform specialized tasks—such as video capture, title creation, and trimming—appearing as separate items doesn’t hinder the workflow. And if you want, you can dock a floating panel manually and then save the new arrangement as a workspace.

However, these inconsistencies—which seem almost like vestiges of the program’s past incarnations—make the new version feel a little less fluid than I would like. Capture In Premiere Pro CS3, capturing video from tape is a straightforward and intuitive process. Premiere Pro CS3 can usually detect camera cuts—the points at which recording stopped and started—so you can cue to those points or even capture each shot as a separate subclip automatically.

But when you’re capturing from HDV, scene detection is disabled. Moreover, on the Mac, you can’t monitor HDV in the Capture panel’s image area; you’ll have to use the device’s video display or an attached monitor.

Premiere Pro lacks full native support for some popular HD formats—for example, AVCHD, and DVCPro HD. And so far, importing directly from Sony’s XDCAM or Panasonic’s P2 camcorders is limited to the Windows version. But Adobe is already working with other vendors (such as AJA, Blackmagic, and Matrox) to address the needs of high-end editors and facilities, and now that Adobe offers Premiere Pro on the Mac, its partners will likely follow suit. For example, CineForm is developing a Mac-compatible version of its intermediate HD codec (a trial version of the beta software is available). Bins The video assets you capture or import are listed in Premiere Pro’s Project panel.

You can sort the items by numerous categories, and organize them into bins (which, despite the folder-like appearance of the icons, are named for their old film-editing counterparts). You can open bins in separate panels and specify whether they are floating or docked. This is particularly useful for projects that have many clips and for editors who like to lay out all their clips at once. The Project panel’s well-integrated search features help you locate specific clips. Editing The previous Mac versions of Premiere had fundamental limitations that precluded truly professional projects. Premiere 6.5 clung to an inelegant and outmoded interface that displayed the primary video track split into an A track and a B track, with a transitions track in the middle. Worse, Premiere 6.5 permitted only one sequence per project, making it impossible to create multiple versions of a sequence or to divide your work into sections without starting another project.

The current version deserves its Pro appellation. Following a more elegant, industry-standard model, Premiere Pro’s timeline depicts clips and transitions in a single track, and allows any track to contain transitions.

Instead of cluttering the timeline, you can get an A/B roll view of a transition in the Effect Controls panel. Premiere Pro supports not only multiple sequences but also nested sequences. In this regard, Premiere Pro sequences are similar to After Effects compositions, except that instead of tracks, After Effects uses layers. In fact, aspects of the two programs have become consistent enough that the programs can exchange project information readily, even dynamically. You can use nested sequences to synchronize footage for editing into multiple-camera sequences, which are easy to assemble and adjust. All the standard editing functions are accounted for: 3- and 4-point editing, ganging monitors, and finding match frames, for example.

Drag-and-drop and timeline-editing features are intuitive and efficient. And while you make editing adjustments, Premiere Pro provides ample visual feedback. The Trim panel works well for fine-tuning a cut, but it could be more seamlessly integrated into the main interface, rather than opening separately. And it’d be great if the Trim panel responded to adjustments more interactively, so that the last adjustment would play without interruption the next time the cut looped. Media management Avid’s (and, to a lesser degree, Apple’s) editing packages establish a trailhead that puts users on a relatively clear path to their high-end software and hardware packages. These are aimed at postproduction environments with vast collections of assets shared among multiple users and projects. Mac os catalina fre download.

With Premiere Pro, the path to the high end isn’t quite as obvious—Adobe partners with other companies to address the needs of this market. Premiere Pro editors working in simpler settings probably won’t encounter problems with media or feel that the program’s media-management features are seriously lacking. For example, the program alerts you when a media file is unaccounted for, and provides ways to locate or recapture it. Commands let you link clips with media or, conversely, unlink a clip from its corresponding source file (and then either retain or delete the file). The Project Manager feature allows you to create a version of a project that trims away references to extraneous footage. Or it can help you move files associated with the project to a new location for archiving. Bridge provides a central location for viewing and managing assets from any CS3 program, and it lays the groundwork for even more integrated media-management features in the future.

Audio Premiere Pro CS3 supports clip-based audio mixing in the timeline, and track-based audio mixing via the full-featured Audio Mixer panel. As with other aspects of postproduction, the complexity of the audio mix depends partly on your hardware configuration. For example, with the proper sound card and speakers, you can mix for 5.1 surround sound. Premiere Pro interacts smoothly with Adobe’s Soundbooth audio editor, but because it can’t export OMF (Open Media Framework) files, transferring audio for finishing on the industry-standard Pro Tools is difficult.

Titling Premiere Pro’s titling feature provides all the typesetting tools you’ll typically require, along with the various shape tools and the Pen tool. In addition to static titles, the titler can produce rolls and crawls. You can also animate a title as you would any clip, by keyframing its motion properties.

For complex or character-based animations, you’ll have to use After Effects’ impressive text-animation features. Transitions and effects Whereas older incarnations of Premiere had separate modules and procedures for transitions, motion effects, and filters, Premiere Pro CS3 takes a unified approach. All effects can be animated via many of the same keyframing procedures found in After Effects. Premiere Pro has inherited other useful features from After Effects (such as time remapping, which enables you to change a clip’s playback speed over time), though you won’t find every feature you may hope for (such as transfer modes). I look forward to even more consistency between the two programs in the future. Export and DVD authoring Premiere Pro includes the standard options for exporting to tape or to numerous movie, still image, and audio file types.

A specialized export dialog box allows you to use Adobe Media Encoder, which is designed for exporting to formats with more complex settings, such as MPEG2, H.264, Flash, HD, and streaming media formats. In addition, you can test movies encoded for playback on mobile devices—and even test for a particular device—using Adobe’s Device Central. But despite Premiere Pro’s multiplicity of export options, it doesn’t have batch rendering, which could be a real time-saver. Premiere Pro CS3 ships with Adobe’s professional authoring program, Encore CS3 (which was offered separately when Premiere Pro was Windows-only). Encore, an extremely powerful disc creation tool, may be the most advanced application currently available on the Mac for authoring and burning DVDs.

Adobe’s emphasis on product integration is evident within the programs and Encore’s interface is consistent with Premiere Pro and the other members of the CS3 family. Premiere Pro’s Export to Encore command encodes the selected sequence and opens it in Encore automatically. From there, you can either burn a no-frills DVD or use Encore’s advanced authoring capabilities to create a more complete professional product. Chapter and compression markers you set in Premiere Pro translate to Encore’s timeline. And like its brethren, Encore utilizes Bridge for browsing and importing assets. Encore includes a convenient button for editing menus in Photoshop and Dynamic Linking so you can more easily animate those titles directly in After Effects.

Encore’s integrated tools and helpful preset elements make it easy to add interactivity. When you’re done, you can then export to DVD, to Blu-ray, or as a Flash file, so that your DVD content can be streamed from a Web site with all of the DVD’s links and media available exactly as you created it. Clip Notes Clip Notes, a tool designed to facilitate collaboration and review cycles among team members, is perhaps one of Premiere Pro CS3’s most distinctive features. Clip Notes lets you embed a draft-quality version of a work-in-progress in a PDF (or link to it from a PDF) that can be sent to colleagues or clients for review. Using nothing more than Acrobat Reader, reviewers can enter time-code-specific comments, which an editor can later import into the project as sequence markers.

Clip Notes makes it easy for multiple remote reviewers to make detailed notes—and because those notes are attached to specific points in the sequence, it’s easy for editors to make changes accordingly. Macworld’s buying advice Premiere Pro CS3 is a capable, feature-rich video-editing application.

Mac users will be pleased that Premiere Pro CS3 is related to Premiere 6.5 in name only, and possesses all the professional features its predecessor lacked. This version has all the functionality of its Windows counterpart, but it falls short of full parity, due to the omission of comparable HDV support, Adobe Ultra, and a Mac-compatible version of OnLocation. Premiere Pro CS3 is a good value, especially compared with the more expensive Avid Xpress. But although its capabilities and price are similar to Final Cut Pro 6’s, its features alone won’t convert Final Cut Studio’s adherents.

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Until it gains a stronger reputation on the Mac, Premiere Pro CS3 may depend on the popularity of the more prominent members of CS3 Production Premium suite. Antony Bolante is the author of the forthcoming Premiere Pro CS3 Visual QuickPro Guide and After Effects CS3 Visual QuickPro Guide (Peachpit Press). He is coproducing on the nOse., a documentary about theatrical clowns.